The 4th season of the Paramount Network’s popular Western series Yellowstone commenced on November 7th after being moved from a summer fill-in series to a winter feature due to the show’s excellent ratings. Eventually, as its shadow came to hide other kinds of modernism-from more decisively vernacular language to poems strongly identified with race or revolution- The Waste Land gathered a set of compensatory ambitions and resentments.Scroll down for a full list of the artists and songs featured in each episode of Season 4 on Yellowstone (updated weekly). In a surprisingly short period of time, The Waste Land became the preeminent poem of modernism, the unquestioned symbol of what was actually a much more diverse movement. Eliot was one of many major modernist writers to yearn for a mythic synthesis remaining out of reach. Even its tendency to taunt readers with failed possibilities of spiritual rebirth, along with its glimpses of a religious route to joining the pieces of a dismembered god and a broken socius, struck a chord. Its fragments mirrored a shattered world, and its allusions, however erudite, recalled a civilized culture many felt they had lost. When The Waste Land first appeared in journals on both sides of the ocean in 1922, it evoked for many readers the ruined landscape left to them after the historically unique devastation of trench warfare and mass slaughter of the first world war. He had notable success with his verse plays, among them Murder in the Cathedral (1935) and The Cocktail Party (1949). Alfred Prufrock” through The Waste Land to Four Quartets. Eliot has a career that runs from "The Love Song of J. His more general social criticism was more idiosyncratic its Christian cultural commitments earned him an audience but its occasional anti-Semitism and severe conservatism isolated him from many readers.
His literary criticism, both on individual poets and on general principles of analysis, heavily influenced the American "New Critical" movement from the 1930s through the 1960s. He was drawn to European fascism in the 1930s, but unlike Pound remained uninvolved in politics. In 1927, he became a British citizen and joined the Anglican Church. He supported himself by working at Lloyd's Bank in London from 1917-1925, then joined a publishing firm. He moved to England and began a strained marriage with Vivian Haigh-Wood in 1915.
He was educated first at Harvard University and then at Oxford University, with a break at the Sorbonne in Paris between his undergraduate and graduate degrees in Boston.
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